Billboard Faces Backlash For Calling Rema One-Hit Wonder

American entertainment magazine Billboard has sparked outrage online after resurfacing a June 2025 article that labeled Nigerian star Rema a “one-hit wonder.” The post, shared Sunday on Billboard’s X account, ranked 25 artists under that label, placing Rema at No. 6 for his global hit Calm Down, which features U.S. pop singer Selena Gomez. Billboard’s article noted that while the original version of Calm Down gained traction on the U.S. Afrobeats Songs chart, the remix with Gomez pushed the song to mainstream success, peaking at No. 3 on the Hot 100. The magazine added that Rema has yet to return to the Hot 100, although he had recorded six top-10 entries on the U.S. Afrobeats Songs chart as of June 7, 2025. “After releasing the original Calm Down in 2023, Rema noticed it breaking on the U.S. Afrobeats Songs chart. He recruited Gomez for the remix, and shockingly, she agreed. ‘I had my fingers crossed,’ he told Billboard,” the article read. The resurfaced ranking immediately drew criticism from fans, who accused the publication of downplaying Rema’s catalogue and global influence. Others defended the label, noting that it likely reflected performance on the U.S. charts rather than his overall impact. On X, user Pauline (#Pauline1318957) wrote, “Rema of all people called a one-hit wonder? Africans are always disrespected in every field—sports, entertainment, oil and gas—because of bad governance.” Yang (@Getme1082445) added, “Calm Down was a global hit before Selena joined. Rema has countless hits; this song is still breaking records. They’re trying to give Selena the credit instead.” Ovie1 (@AjekpakoDante) said, “They’re judging based on their own view, not reality. We shouldn’t depend on external validation. Value what you have, and it will be cherished.” Other fans also reacted. Wanderlust (#Erinma_2809) wrote, “No Nigerians or Africans on your editorial team, clearly. Listing Rema as a one-hit wonder is outrageous.” Yorkshire Lass (#eyup_io) added, “Some of those tunes are fun, but it’s a shame when a catchy song is all you’re remembered for. What could have been?” The incident underscores ongoing tensions over how international media portrays African artists, with fans defending Rema’s achievements and global influence.

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Rema Reflects On Winning Awards Since 19 As He Bags Three AFRIMA Honors

Nigerian music star Rema has reflected on his rise in the industry, revealing that he has been winning awards since he was 19 years old. The 25-year-old singer shared the insight on Sunday while receiving three major honours at the All Africa Music Awards ceremony. Speaking during his acceptance speech, Rema expressed gratitude for his consistency and longevity in the industry. “Since I was 19, since I got to Mavin. I’m 25 now, I don dey old oo. But yeah, it’s beautiful to be here again and still getting an award, seven years in the game. I really appreciate it. Shout out to AFRIMA. One love,” he said. The Benin-born artiste joined Mavin Records at 19 and shot into the spotlight in 2019 with hit singles such as Iron Man and Dumebi, quickly cementing his place among Africa’s leading young talents. Rema’s career reached global heights in 2022 with Calm Down, later remixed with American singer Selena Gomez. The song became an international smash, topping charts in several countries and earning him widespread global recognition. At the AFRIMA event, Rema clinched Best Male Artiste in Western Africa, Artiste of the Year, and Best African Artiste, Duo or Group in African RnB/Soul for Calm Down. He edged out fellow Nigerian stars including Burna Boy, Davido, Wizkid, and Asake in the top categories.

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Don Jazzy Reveals $4–5 Million Spent To Make Rema’s Calm Down A Global Hit

Don Jazzy has shared details about the enormous investment it took to turn Rema’s hit “Calm Down” into a global success. During a podcast interview, he revealed just how much goes into promoting a song beyond its production. He said, “A song like ‘I’m Down’ now, you will probably spend close to four or five million dollars to get it to where it is. Okay, as we conquer this place now, you spend the next money, you go to the next place. Wow, $4–5 million. Yeah, the lifetime cost, now you don’t know it. That’s a good question.” When asked about the revenue the track has generated, Don Jazzy simply replied, “A lot!” emphasizing both its commercial success and international reach. The revelation highlights the scale of resources and strategy required to propel Afrobeats hits onto the global stage, showing that behind every worldwide sensation is a major financial and promotional effort. “We Spent close to 4-5 Million Dollars to get ‘Calm Down’ to where it is” — Donjazzy in New interview with Toolz & Bounce pic.twitter.com/mdNJHJp9oJ — HYPETRIBE (@hypetribeng) December 11, 2025

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Rema Reveals He Used Army Friend For Protection During Freestyle Video Over Fear Of SARS

Rema has revealed a safety measure he once had to take while shooting a freestyle video, explaining that the fear of SARS influenced his decision. The singer said he asked a friend in the Army to sit in the back seat of his car during the recording because he wore dreadlocks at the time and didn’t want to risk any confrontation or harassment. Sharing the moment, he said artists often go to unusual lengths just to stay safe while creating content. In his words: “The fear of SARS made me put my Army friend at the back seat of my car in my freestyle video because I’m on dread.” “The fear of SARS made me to put my Army friend at the back seat of my car in my freestyle video because I'm on dread" – Rema 😂 pic.twitter.com/AazwK5gnhb — OLAMIDE 🌸💖 (@Olamide0fficial) December 11, 2025

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Rema Splashes Millions On New McLaren, Fans Say It’s His Second

Nigerian music star Rema has made headlines again, splashing millions on a brand-new McLaren. In a video shared on social media, the singer was seen walking around the luxury car at a showroom, casually smoking a cigarette as he admired his latest acquisition. Fans have speculated that this could be Rema’s second McLaren, highlighting his growing collection of high-end vehicles. Already the owner of a Bentley Bentayga and a Mercedes-Benz G-Class, the new McLaren adds another high-performance ride to his fleet. The post has sparked excitement online, with many fans praising Rema’s success and lavish lifestyle. Rema via Ig Story. Another Mclaren ?😳🏎 pic.twitter.com/1wxMQClfRD — HYPETRIBE (@hypetribeng) December 2, 2025

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Rema Playfully Shades Ayra Starr Over Move from Lagos to New York

Rema has jokingly shaded fellow singer Ayra Starr following her move from Lagos to New York. He shared a photo of the singer on social media with the caption: “Love ur neighbor as yourself but once money land you change neighborhood. No wam.” The playful dig comes as Ayra Starr settles into her new life abroad, with fans reacting to Rema’s humorous commentary on how success can change one’s surroundings.

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Terrorism: Rema Says Nigeria Cannot Be Great Until Its Youth Are Protected

Rema has weighed in on the escalating wave of terrorist attacks across Nigeria, warning that the nation cannot achieve true progress while its young people remain exposed and undervalued. Taking to his X page, he wrote: “Until they protect the youths and allow them to grow into their full potential, Nigeria will never be truly great. 💔🇳🇬” His remark comes at a tense moment for the country following recent terror strikes in Kebbi, Kwara and Niger that have triggered heightened security alerts nationwide. The attacks — ranging from assaults on communities to targeted strikes on schools — have deepened public anxiety and renewed calls for urgent action.

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Meet the Artist Managers Behind Afrobeats $2B Global Takeover (2023–2025)

Meet the Artist Managers Behind Afrobeats $2B Global Takeover (2023–2025)

Nigeria’s music industry has grown into a $2 billion powerhouse, and Afrobeats is at the center of that success. The genre’s global domination—from Grammy wins to streaming milestones and sold-out stadiums—hasn’t happened by chance. Behind the spotlight are artist managers who negotiate contracts, build international partnerships, and create strategies that transform local stars into global icons. Streaming platforms have played a huge role: Spotify reported that Nigerian artists earned 25% more in royalties in 2023 than the year before, with Afrobeats among the top streamed genres worldwide. But while fans see the stars, the real architects of this growth are the managers who understand both the music and the business. Here are the key figures shaping Afrobeats between 2023 and 2025: Asa Asika (Davido) Co-founder of The Plug, Asa Asika has been instrumental in Davido’s career for over a decade. Under his guidance, Davido dropped Timeless in 2023, an album that shattered streaming records, earning over 1 billion plays across platforms. Asika has expanded Davido’s reach into the Middle East and Asia, while also negotiating brand deals with Puma and Martell, proving his sharp business instincts. Bose Ogulu “Mama Burna” (Burna Boy) Bose Ogulu has redefined what it means to be a music manager in Africa. As Burna Boy’s mother and manager, she’s overseen his journey from Port Harcourt to global superstardom. With albums like Love, Damini, she secured Grammy wins, sold-out tours at London Stadium and Madison Square Garden, and festival headliner slots at Coachella and Glastonbury. She’s also built Spaceship Collective, giving Burna more creative independence. Sean Okeke (Rema) Sean Okeke of Mavin Global is the strategist behind Rema’s rise. In 2023, Calm Down (Remix) with Selena Gomez became the first Afrobeats song to hit the U.S. Billboard Hot 100 Top 5, racking up more than 1.6 billion streams on Spotify alone. Okeke has positioned Rema as a Gen-Z superstar, bridging Afrobeats, trap, and pop, while locking in collaborations with American and Indian markets. Muyiwa Awoniyi & Wale Davies (Tems) Tems’ managers have orchestrated one of the most carefully curated careers in Afrobeats. From her Grammy win for Wait for U with Future and Drake to Oscar nominations for Lift Me Up with Rihanna, Tems has become a global force. Awoniyi and Davies are ensuring she isn’t overexposed, choosing high-value collaborations and global stages like Coachella and Afropunk. Jada Pollock & Sunday Are (Wizkid) Wizkid’s career longevity is thanks to Jada Pollock and veteran manager Sunday Are. Jada, who also co-parents with Wizkid, brings an international marketing edge, securing deals with Nike, Cîroc, and Puma, while Sunday Are handles logistics for Wizkid’s expansive tours. Together, they helped Made in Lagos become a global phenomenon, with “Essence” becoming the first Nigerian song to chart on the Billboard Hot 100. Alexander Okeke (Fireboy DML) Alexander Okeke has helped Fireboy transition from a YBNL breakout star to an international Afrobeats sensation. Peru, Fireboy’s collaboration with Ed Sheeran, became a global smash in 2022 and maintained heavy rotations through 2023. Okeke continues to expand Fireboy’s global touring presence, ensuring he isn’t overshadowed in Olamide’s YBNL empire. Elizabeth Sobowale (Adekunle Gold) Elizabeth Sobowale has positioned Adekunle Gold as a crossover artist. By blending Afropop with funk, R&B, and global pop sounds, Adekunle has gained traction in Europe and the U.S. Sobowale masterminded his rebrand into “AG Baby”, which boosted his international collaborations with the likes of Ty Dolla $ign and Khalid. Vanessa Amadi (Tiwa Savage) Vanessa Amadi-Ogbonna is a powerhouse in PR and management. She’s managed Tiwa Savage’s international image, landing her a feature on Beyoncé’s The Lion King: The Gift, a performance at King Charles’ coronation, and global brand endorsements. Under her guidance, Tiwa has become the undisputed Queen of Afrobeats. Taiye Aliyu (Yemi Alade) Founder of Effyzzie Music, Taiye Aliyu has successfully marketed Yemi Alade beyond Nigeria, focusing on Francophone Africa, Europe, and even Latin America. With her hit Johnny and subsequent world tours, Yemi has become one of the most-traveled Nigerian artists, performing in over 80 countries. Alexa Rae Perkins (Asake) Asake’s meteoric rise has been guided by Alexa Rae Perkins, who works alongside Olamide’s YBNL management. From Mr. Money With The Vibe to his O2 Arena sellout in London, Asake’s street-to-stadium success has been carefully choreographed, with Perkins ensuring he penetrates Western markets without losing his Lagos street authenticity. The Bigger Picture These managers are not just handling artists; they’re building a global industry. They negotiate licensing, manage billion-streaming catalogues, and bridge collaborations with Western stars, ensuring Afrobeats isn’t a passing trend but a permanent fixture on the global stage. As Afrobeats cements itself as Africa’s biggest cultural export, the managers pulling the strings behind the scenes will continue to shape the sound, business, and image of Nigeria’s biggest stars—proving that true power in music often lies offstage.

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