Peggy Ovire Slams Taye Arimoro With Explosive Rebuttal, Says His N100m Claim Is Built on “Lies and Half-Truths”

Peggy Ovire has issued a fiery legal response to the ₦100 million lawsuit filed against her by actor Taye Arimoro, insisting that his entire narrative is fabricated, incomplete, and meant to paint himself as a victim after allegedly assaulting members of her film crew. In the detailed letter released by her lawyers, Ovire rejected every accusation of assault, unlawful detention, harassment, and human-rights violation. Her legal team described Arimoro’s version of events as a “half-story” crafted to hide what they say actually happened on set. According to the letter, Arimoro allegedly attacked the production manager, Luke Obayi, slapping and punching him before knocking him to the ground simply because he was asked to return to set and complete the role he had already been fully paid for. Ovire’s driver, Joshua Madu, was also reportedly assaulted, sustaining injuries and bleeding from the ear and nose after Arimoro allegedly head-butted him while trying to escape the scene. The lawyers noted that several neighbours who witnessed the incident voluntarily submitted statements to the police confirming Arimoro’s violent behaviour. They further explained that Arimoro was not unlawfully detained, as he claimed. Rather, crew members tried to stop him from fleeing after he allegedly assaulted two people and left one of them unconscious. The letter insists that Ovire never laid a hand on Arimoro, except for a brief push while trying to stop him from deflating her car tyres during his attempted getaway. Ovire’s camp also dismissed the Instagram Live video Arimoro posted as a “smokescreen” designed to manipulate public opinion and distract from his own actions. They accused him of selectively obtaining only parts of the CCTV footage that favour him, while ignoring the full evidence available to police and witnesses. The letter also rubbished Arimoro’s claims that he was mobbed, beaten, or left with a fractured jaw, calling those allegations “fabricated.” It stated that the only tyre deflated at the scene was Arimoro’s, done to stop him from escaping before law enforcement arrived. The dispute is now under investigation by both the police and the Actors Guild of Nigeria. Ovire’s lawyers described Arimoro’s ₦100 million demand as premature, misleading, and entirely baseless since the allegations are still being examined by authorities. They maintained that Ovire did not violate Arimoro’s rights in any form, arguing instead that it was Arimoro who violated the rights of two innocent crew members. Her legal team warned that she is prepared to file a petition for assault, breach of peace, and possibly defamation once investigations are concluded. In closing, the letter made it clear that Ovire will not apologise, will not pay compensation, and will not accept responsibility for accusations she insists are rooted in lies, manipulation, and selective storytelling.

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Jazzman Olofin Calls Out Adekunle Gold for Performing His 22-Year-Old Hit “Raise Da Roof” in London

Veteran musician Jazzman Olofin has taken to social media to react to Adekunle Gold’s alleged performance of his classic hit “Raise Da Roof” during a London concert. In a humorous post, Jazzman Olofin expressed surprise and amusement at the rendition, questioning why Adekunle Gold rehearsed and performed the 22-year-old song with a full live band without seeking permission or giving credit. While acknowledging that artistic influence and tributes are natural, Jazzman Olofin emphasized that the performance went beyond a simple homage. He playfully reminded fans of his ongoing relevance and hinted at openness to collaboration. The veteran musician also extended an olive branch to Adekunle Gold, inviting him to reach out for future collaborations. He wrote in full: “HA!!! WETIN DEY HAPPUN FOR HERE? LOL. I’ve got no issue with an artiste freestyling another artist’s song on stage for a second as a sign of respect. It’s cool. BUT when you go thru a great length to actually rehearse my 22 years old monster hit song (Raise Da Roof) with your one million man live band in preparation for your show/concert in London, haba… I may be a little too old to be singing your generation’s music, but I’m certainly not too old to spend your generation’s money. Mr @adekunlegold, I’m very much alive and still actively performing. Don’t beat around the bush. Next time call baba.”

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Ayra Starr Relocates to New York City, Says City Feels Like Home

Ayra Starr has confirmed her move to New York City, describing it as a strategic step to boost her global music career. The 23-year-old singer has been living in the U.S. city for less than two months, citing its vibrant energy and large African community as key reasons for the relocation. In an interview, Ayra Starr explained that New York’s atmosphere closely mirrors her hometown of Lagos, making the transition smooth. “New York reminds me so much of Lagos. So it feels like home. There are a lot of Nigerians here. There’s a huge African diaspora here, so it feels like home,” she said, highlighting the comfort she finds in the city’s familiar cultural rhythm and dynamic pace.

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BBNaija Liquorose Reveals She Wants Nine Kids, Plans Five-Day Wedding Celebration

Former Big Brother Naija star Liquorose has opened up about her vision for family life, revealing she hopes to have nine children. In a conversation with VJ Adams, she discussed her personal growth, aspirations, and evolving views on marriage, offering a rare glimpse into her private life. Liquorose said she once imagined a quiet, private wedding but now envisions a grand, celebratory affair with five days of festivities. “I used to be that girl who could get married and nobody would know,” she said. “At one point, I thought… I want a two-week wedding. I want something loud because it’s going to be a lot. Liquorose is taken! Officially. I have to do that. I have to party for like five days before the wedding. Party as a single girl, just have fun. I want something loud.” She added that amidst the celebrations, she values a private moment with her partner: “But I would have one celebration for myself that nobody will even have to see. It would just be me and whoever the person would be. Just me and him.”

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Chidimma Adetshina Explains Why She Skipped Big Brother Naija 2025, Eyes 2026 Edition

Former Miss Universe Nigeria, Chidimma Adetshina, has revealed why she chose not to participate in Big Brother Naija 2025. Adetshina explained that her manager advised against joining the reality show, citing her ongoing responsibilities as Miss Universe Nigeria. Although she had expressed interest in BBNaija, she decided to focus on her education, modeling, and acting career. She is currently taking a break from pageantry to prioritize her mental health, addressing past traumatic experiences. Despite missing the 2025 edition, Adetshina plans to join BBNaija 2026. Reflecting on her time in Nigeria, she said: “I really enjoyed my stay in Nigeria, and even now, like I said, once I get my documents sorted, I am going back. Nigeria was really great for me.” She added: “The eight months I spent there were amazing. I feel there is more to explore; there are so many opportunities in Nigeria… so many things I would like to try — runways, acting, and explore many other areas. I really feel there’s more to explore, and I want to establish who Chidimma truly is.” On skipping this year’s BBNaija, she explained: “I also wanted to do ‘Big Brother’ this year, but then my manager was like, ‘No, you can’t do ‘Big Brother’ because you are still Miss Universe Nigeria.’” Nigeria was just WOW . I want also to do Big Brothers. Once I get my papers sorted out , I will go. 🙏 pic.twitter.com/k4ZLBVp5yl — Chidimma Adetshina (@chichi_vanessaa) November 24, 2025

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Maraji Slams Ned Nwoko, Tells Him to Move On and Stop Explaining Drama with Regina Daniels

Maraji has taken a swipe at Ned Nwoko, urging him to let go of the ongoing drama involving Regina Daniels. She dismissed his recent claims about Regina’s behavior and said he was wasting his time trying to justify himself to the public. According to her, the senator should focus on women within his age bracket instead of getting entangled with much younger ones. Maraji also questioned why Ned Nwoko was addressing the issue so openly, describing his explanations as unnecessary and unprovoked. Her comments made it clear she was firmly on Regina’s side and frustrated by Ned’s decision to take the matter public. She said: “We believe you, grandpa. All these ones you’re going up and down to explain, no need. You said she drinks, smokes, and does drugs, we believe. When elders spot little children misbehaving, they will say she’s just a child, just accept it.” “Maybe next time when you see a small child you will leave her, so she won’t bring her childish attitude to your house. When looking for a woman, look for a mature one. This one you’re going up and down to explain for what? Are you explaining to us? What do you expect to happen?”

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Portable Declares Olamide Will Regret Not Signing Him in Fiery New Outburst

Portable has launched into another fiery rant, insisting that Olamide will one day regret not signing him and claiming his rise is already beyond the reach of industry gatekeepers. In a series of messages, the singer painted himself as an artist destined for global success, saying his international fan base and connections — especially his bond with Skepta — are proof of his growth. He accused unnamed figures of trying to sabotage and exploit him, framing every setback as part of a larger story of divine elevation. Portable maintained that his resilience and faith set him apart from his peers, describing himself as someone who cannot be held back by industry politics. His words: “Any disappointment is a blessing Zazuu Am bless internationally i get fan base If you spoil me for who love me you go doe young If you forget me my own God no go forget me God bless skepta my Helper wey carry me from where them stop Love who love you Support those who support you them fit carry you trabaye make them still dey hate on you because you no be mumu na ode them dey ike them no dey like to carry who ja join body Ogun na money Orunmila go carry me trabaye If you spoil me for who love me you go die young Zazuu turn Local rapper to international rapper Ati local dancer ripper a friend of a Ole na Ole ZEHNATION many many inspiration When my time come you no fit stop me Olamide Bado go regret why him no sign me or carry me alongside again just because I fight for my own right God of Zazuuis coming for you people too those who dey block my ways i believe i can fly star. don’t beg to shine God Sent my Helper tome internatio nalsol can be big more than them na me name! still remain my self Portable Omolalomi Tony Montana OF London”

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Wizkid Faces Backlash Over HBO Documentary Remarks About Building His Career Structure

Wizkid has sparked debate after comments in his new HBO documentary, Long Live Lagos, where he said, “There was no blueprint for me. I had to build a structure for myself.” Some fans took the statement to suggest he was downplaying the role Banky W and EME (Empire Mates Entertainment) played in his early career. One social media user wrote, “This guy is erasing the role Banky W and EME played in his career. Person way Banky dey pick from school enter studio is saying ‘I had to build a structure for myself.’ God sees all.” However, others defended Wizkid, noting that he was likely referring to his own artistic evolution rather than dismissing his roots. “There is no real context to that. I believe he was speaking about his style of music. He reinvented himself,” one comment read. Another added, “Wiz has never denied Banky’s impact, nor can he. Let’s calm down.” Banky W was crucial in Wizkid’s rise, signing him to EME and giving him access to studio sessions in his early days. Wizkid eventually left the label, going on to shape his own path and become a global music icon. The controversy underscores the delicate balance between honoring mentors and celebrating personal growth. While some fans see Wizkid’s words as disregarding past contributions, others interpret it as a statement about his reinvention and ambition to create his own space in the music industry. https://twitter.com/wizkidayo/status/1993031046078906521/video/1

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